" The Black Page #1" is a piece by American composer Frank Zappa known for being extraordinarily difficult to play. Originally written for the drum kit and melodic percussion (as " The Black Page Drum Solo"), the piece was later rearranged in several versions, including the "easy teenage New York version" (commonly referred to as " The Black Page #2") and a so-called "New-age music version", among others.
Drummer Terry Bozzio said of the piece:
On the double live album Zappa in New York (recorded 12/1976, released 3/1978), Zappa noted the "statistical density" of the piece. It is written in common time with extensive use of , including tuplets inside tuplets (nested tuplets). At several points there is a quarter note tuplet () in which each beat is counted with its own tuplet of 5, 5 and 6; at another is a half note triplet () in which the second beat septuplet, and the third beat is divided into tuplets of 4 and 5. The song ends with a quarter note triplet composed of tuplets of 5, 5, and 6, followed by two tuplets of 11 in the space of one.
Zappa would re-arrange the song into "The Black Page #2" shortly after his band's mastery of the piece. This second version has a disco beat, but nevertheless retains nearly every metric complexity from #1. One notable difference in this version is that the final set of tuplets feature a rhythmic change and are repeated three times to conclude the song. The 1991 live album Make a Jazz Noise Here includes a so-called "new age version", which incorporates Lounge music and reggae music. The 1991 album You Can't Do That on Stage Anymore, Vol. 4 featured a performance from 1984 that had a ska motif. Both of these versions included guitar solos from Zappa.
In 2014 "The Black Page" was immortalized by Terry Bozzio in the form of art he calls Rhythm & Sketch. On canvas Terry's sketch of Zappa with "The Black Page" is layered with a rhythmic pattern of light traces from Terry's drumsticks. This was a limited run of 25 canvases and sold out quickly.
Drummer Morgan Ă…gren and guitarist Mike Keneally played the piece as an encore during Devin Townsend's "Empath Vol. 1" - Tour in 2019/2020.
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